Art and emotion

Results: 40



#Item
11Andy Gilmore describes himself as a draftsman, designer and musician. Andy explores physical properties and proportions of sound and light in his work. Your work features wide spectrums of color and complex geometric pa

Andy Gilmore describes himself as a draftsman, designer and musician. Andy explores physical properties and proportions of sound and light in his work. Your work features wide spectrums of color and complex geometric pa

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Source URL: lab-zine.com

Language: English - Date: 2013-07-26 23:28:50
12The Art and Science of Synthetic Character Design Christopher Kline and Bruce Blumberg Synthetic Characters Group, MIT Media Laboratory 20 Ames Street, Cambridge, MAfckline, Abstract

The Art and Science of Synthetic Character Design Christopher Kline and Bruce Blumberg Synthetic Characters Group, MIT Media Laboratory 20 Ames Street, Cambridge, MAfckline, Abstract

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Source URL: characters.media.mit.edu

Language: English - Date: 2002-10-28 23:51:30
13The Art and Science of Synthetic Character Design Christopher Kline and Bruce Blumberg Synthetic Characters Group, MIT Media Laboratory 20 Ames Street, Cambridge, MAfckline, Abstract

The Art and Science of Synthetic Character Design Christopher Kline and Bruce Blumberg Synthetic Characters Group, MIT Media Laboratory 20 Ames Street, Cambridge, MAfckline, Abstract

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Source URL: characters.media.mit.edu

Language: English - Date: 2003-06-30 17:36:54
14REV I E W  ART I C L E RITUAL AND EMOTION

REV I E W ART I C L E RITUAL AND EMOTION

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Source URL: www.anthro.ox.ac.uk

Language: English - Date: 2013-08-16 09:34:20
15Social psychology / Feeling / Cognitive neuroscience / Emotions / Emotion / Emotional contagion / Empathy / Affect / Facial expression / Mind / Ethology / Cognitive science

KEER2010, PARIS | MARCHINTERNATIONAL CONFERENCE ON KANSEI ENGINEERING AND EMOTION RESEARCH 2010 EMOTIONAL CONTAGION IN INTERACTIVE ART

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Source URL: www.tinagonsalves.com

Language: English - Date: 2010-06-17 07:51:49
16Bodily Explorations in Space: Social Experience of a Multimodal Art Installation Giulio Jacucci1, Anna Spagnolli2, Alessandro Chalambalakis2, Ann Morrison1, Lassi Liikkanen1, Stefano Roveda3, and Massimo Bertoncini4 1

Bodily Explorations in Space: Social Experience of a Multimodal Art Installation Giulio Jacucci1, Anna Spagnolli2, Alessandro Chalambalakis2, Ann Morrison1, Lassi Liikkanen1, Stefano Roveda3, and Massimo Bertoncini4 1

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Source URL: anmore.com.au

Language: English - Date: 2011-11-24 00:55:12
17embrace: Guilt Frame By Paul Knox ArtsHub | Thursday, December 03, 2009 Describing embrace: GUILT FRAME without over simplification is difficult. It is, in essence, human installation art. Two performers, Peter Snow and

embrace: Guilt Frame By Paul Knox ArtsHub | Thursday, December 03, 2009 Describing embrace: GUILT FRAME without over simplification is difficult. It is, in essence, human installation art. Two performers, Peter Snow and

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Source URL: dequinceyco.net

Language: English - Date: 2011-05-25 03:47:39
18embrace: Guilt Frame By Paul Knox ArtsHub | Thursday, December 03, 2009 Describing embrace: GUILT FRAME without over simplification is difficult. It is, in essence, human installation art. Two performers, Peter Snow and

embrace: Guilt Frame By Paul Knox ArtsHub | Thursday, December 03, 2009 Describing embrace: GUILT FRAME without over simplification is difficult. It is, in essence, human installation art. Two performers, Peter Snow and

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Source URL: dequinceyco.net

Language: English - Date: 2011-02-09 19:36:38
19Narrativity in User Action: Emotion and Temporal Configurations of Narrative Shachindra Nath Central Saint Martin’s College of Art and Design University of the Arts London

Narrativity in User Action: Emotion and Temporal Configurations of Narrative Shachindra Nath Central Saint Martin’s College of Art and Design University of the Arts London

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Source URL: www.cosignconference.org

Language: English - Date: 2008-12-13 12:14:52
20Filomena Aguiar de Vasconcelos Universidade do Porto Absurd Language in the Theatre and Arts in the 20th Century The truly modern artist is aware of abstraction in an emotion of beauty

Filomena Aguiar de Vasconcelos Universidade do Porto Absurd Language in the Theatre and Arts in the 20th Century The truly modern artist is aware of abstraction in an emotion of beauty

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Source URL: ler.letras.up.pt

Language: English - Date: 2007-12-05 04:30:19